Walter Mosley Books and Novels

 

Fearless Jones by Walter Mosley

Amazon.com
Penzler Pick, June 2001: Those of us who have been waiting for Walter Mosley to return to mystery writing--and there are many of us--have cause to rejoice. Not only has Mosley written a mystery, he is introducing a new character who could turn out to be as popular as Easy Rawlins.
Fearless Jones has a lot in common with Easy, but he also has some characteristics reminiscent of Socrates Fortlow, the "hero" of Always Outnumbered, Always Outgunned. When the story begins, the reader is transported to the Los Angeles of the 1950s, a dangerous place and time for a black man. But Paris Minton seems to have beaten the odds. He owns a moderately successful and very satisfying business--a used book store. He spends the time he's not in the store scouring libraries for discarded books and selling them in just enough quantity to be independent and happy. Yes, he is visited on a regular basis by members of the LAPD who want him to prove to them that he did not steal the books, but that is a small price to pay for independence.
Minton's peaceful life is interrupted one day when a beautiful woman walks into his store and asks for the Reverend William Grove. In no time flat, Paris has been beaten into unconsciousness by a man following her and has been rewarded by the woman with sex. The lovely Elana Love is obviously trouble, but Paris jumps in feet first and, as a consequence, his store is burned to the ground. It is obviously time to call in Fearless Jones, a man well named. Jones is afraid of nothing, but there is a little matter to be taken care of before he can help. He's in jail and Paris must raise bail to get him out. Once he does that, the pair embark on a wild ride through Los Angeles on behalf of Elana Love. As always, Mosley depicts the hard-boiled L.A. in a powerful and distinctive way, and we can only hope that this is the first of a series.

 

Devil in a Blue Dress by Walter Mosley

Amazon.com
Walter Mosley's Easy Rawlins has few illusions about the world--at least not about the world of a young black veteran in the late 1940s in Southern California. His stint in the Army didn't do anything to dissuade him from his belief that justice doesn't come cheap, especially for men like him. "I thought there might be some justice for a black man if he had money to grease it," Easy says. Fired from his job on the line at an aircraft plant, he's in danger of losing his home, symbol of his tenuous hold on middle class status. That's a good enough reason to accept a white man's offer to pay him for finding a beautiful, mysterious Frenchwoman named Daphne Monet, last seen in the company of a well-known gangster. Easy's search takes the reader to an L.A. few writers have shown us before--the mean streets of South Central, the after-hours joints in dirty basement clubs, the cheap hotels and furnished rooms, the places people go when they don't want to be found. Evocative of a past time, and told in a style that's reminiscent of Hammet and Chandler, yet uniquely his own, Mosley's depiction of an inherently decent man in a violent world of intrigue and corruption rang up big sales when it was published in 1990 (although the movie version, with Denzel Washington as Easy, never found the audience it deserved). The minor characters are deftly and brilliantly developed, especially Mouse, who saves Easy's life even as he draws him deeper into the mystery of Daphne Monet. Like many of Mosley's characters, Mouse makes a return appearance in the succeeding Easy Rawlins mysteries, such as A Red Death, Black Betty, and White Butterfly, every one of which is as good as Devil in a Blue Dress, his first.

 

A Red Death by Walter Mosley

In order to avoid a prison sentence for a trumped-up tax evasion charge, Easy Rawlins agrees to infiltrate the First African Baptist Church and spy on alleged communist organizer Chaim Wenzler.

 

Black Betty : An Easy Rawlins Mystery by Walter Mosley

Reluctant P.I. Easy Rawlins finds that he is unable to refuse a deadly assignment to track down the notorious Black Betty, a beautiful woman whose charms have enabled her to rise to Beverly Hills affluence.

 

A Little Yellow Dog : An Easy Rawlins Mystery by Walter Mosley

Amazon.com
The saga of Easy Rawlins that began in 1990 with Devil in a Blue Dress, continues in A Little Yellow Dog. Working as a janitor at Sojourner Truth Junior High School, Easy is asked to care for a small dog owned by the attractive Idabell Holland, a teacher at the school. When Idabell's husband is murdered, Easy finds himself mixed up with a gang of criminals engaged in looting Los Angeles schools and smuggling heroin from France. Idabell and Easy fall into a sexual liaison, but in the wake of it, Idabell is found stabbed to death in the passenger seat of Easy's car. While at first Easy thinks the murders are a "simple falling out of thieves," a surprising twist on the level of "The Maltese Falcon" reveals the truth.

 

Gone Fishin : An Easy Rawlins Mystery by Walter Mosley

Amazon.com
Gone Fishin' actually marks the first appearance of Ezekiel "Easy" Rawlins, as well as his homicide-prone sidekick Raymond "Mouse" Alexander. But the story takes place in 1939, when both protagonists are still living in Houston. This is no tightly plotted mystery, but an atmospheric coming-of-age story, which gives the reluctant Easy an education in sex and death, family and forgiveness. As always, Mosley's prose is a marvel: musical, funny, and full of no-frills lyricism. And the unfolding of Easy's character is every bit as gripping as the breakneck plotting of the later installment.

 

White Butterfly by Walter Mosley

When a white co-ed is murdered in the same way that a series of black women were murdered recently, L.A. police coerce detective Easy Rawlins to become involved in the case.

 

Always Outnumbered, Always Outgunned by Walter Mosley

Amazon.com
In this cycle of 14 bittersweet stories, Walter Mosley breaks out of the genre--if not the setting--of his bestselling Easy Rawlins detective novels. Only eight years after serving out a prison sentence for murder, Socrates Fortlow lives in a tiny, two-room Watts apartment, where he cooks on a hot plate, scavenges for bottles, drinks, and wrestles with his demons. Struggling to control a seemingly boundless rage--as well as the power of his massive "rock-breaking" hands--Socrates must find a way to live an honorable life as a black man on the margins of a white world, a task which takes every ounce of self-control he has.
Easy Rawlins fans might initially find themselves disappointed by the absence of a mystery to unravel. But it's a gripping inner drama that unfolds over the pages of these stories, as Socrates comes to grips with the chaos, poverty, and violence around him. He tries to get and keep a job delivering groceries; takes in a young street kid named Darryl, who has his own murder to hide; and helps drive out the neighborhood crack dealer. Throughout, Mosley captures the rhythms of Watts life in prose both musical and hard-edged, resulting in a haunting look at a life bounded by lust, violence, fear, and a ruthlessly unsentimental moral vision.

 

Walkin' the Dog by Walter Mosley

Amazon.com
Once he had dreamed up the Easy Rawlins series, with its colored-coded titles and suave protagonist, Walter Mosley could have coasted for the rest of his life. Instead he delved into impressionistic fiction (RL's Dream) and sci-fi (Blue Light)--and came up with his own variant on Ellison's invisible man, a forbidding ex-con named Socrates Fortlow. The author first introduced this inner-city philosopher in Always Outnumbered, Always Outgunned, allowing him to vault one ethical hurdle after another. Now Socrates returns in Walkin' the Dog, still operating out of his tiny Watts apartment, still figuring precisely what to make of his freedom.
Like his dog, Killer--a spirited mutt who's missing his two hind legs--Socrates has to contend with a number of severe handicaps. Forget the fact that he's a black man in a white society. He's also the fall guy for every crime committed in the vicinity, a scapegoat of near-biblical proportions:

The police always came. They came when a grocery store was robbed or a child was mugged. They came for every dead body with questions and insinuations. Sometimes they took him off to jail. They had searched his house and given him a ticket for not having a license for his two-legged dog. They dropped by on a whim at times just in case he had done something that even they couldn't suspect.
Yet Socrates is no poster child for racial victimization. Why? Because Mosley never soft-pedals the fact that he is, or was, a murderer. "He was a bad man," we are assured at one point. "He had done awful things." Deprived of any sort of sentimental pulpit, Socrates makes his moral determinations on the fly. Should he admit that he killed a mugger in self-defense? Can he force his adopted son Darryl to stay in school? Should he murder a corrupt cop who's terrorized his entire neighborhood? His answers are consistently surprising, and that fact--combined with the author's shrewd, no-nonsense prose--should make every reader long for Mosley's next excursion into the Socratic method.


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