Ross MacDonald Mystery Collection

Ross MacDonald Books and Novels

Strangers in Town by Ross MacDonald

Ross Macdonald (1915-1983) was, according to The New York Times, the author of "the finest detective novels ever written by an American." His detective, Lew Archer, investigates character and place and the tensions and conflicts that form America. In Ross Macdonald's hands, Lew Archer's home turf, southern California, becomes symbolic and (perhaps more important) emblematic of the human struggle to make things right, to make sense of who we are.

In an important literary discovery, Macdonald biographer, Tom Nolan, unearthed three previously unpublished private-eye stories by Ross Macdonald. "Death by Water," written in 1945, features Macdonald's first detective Joe Rogers, and two novelettes from 1950 and 1955, "Strangers in Town" and "The Angry Man," are detailed cases of Lew Archer.

These ‘lost' stories help the reader to understand why The New York Times also said that "classify him how you will, Ross Macdonald is one of the best American novelists now operating."

The Galton Case by Ross MacDonald

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The Galton Case, published in 1959, was Ross Macdonald's breakthrough book. Its predecessors are craftsmanlike, highly literate, hard-boiled detective stories; The Galton Case and most of its successors are literature that happens to inhabit the detective-story form. For Macdonald the man, Galton was the first book in which he explored his deepest personal concerns (he was the child of a broken home who was passed from relative to relative in his youth). For readers, it's the book in which he first perfected the balancing act that became his trademark: a tightly written page-turner that also probes profound themes and frequently rises to something like poetry.
The tale opens with detective Lew Archer visiting the swanky offices of a lawyer acquaintance, who engages him to hunt for a long-missing scion of the rich Galton family. Though the case seems fruitless, Archer begins digging. Soon a seemingly unrelated crime intrudes--but Archer tells us, "I hate coincidences." As he roams California (and, briefly, Nevada) following leads and hunches, he gradually uncovers a long-buried tale of deception, hatred, and the power of illusion. As usual, Macdonald can accomplish more with three lines of dialogue and a simple description than most writers can in three pages. The connection between Archer's two cases finally clicks about three-quarters of the way through the book, and the moving denouement, with its final plot twist, takes place in a hardscrabble Canadian boarding house much like those in which Macdonald spent parts of his childhood. The Galton Case is an exceptionally satisfying read on several levels.

The Far Side of the Dollar by Ross MacDonald

Has Tom Hillman run away from his exclusive reform school, or has he been kidnapped? Are his wealthy parents protecting him or their own guilty secrets? And why does every clue lead Lew Archer to an abandoned Hollywood hotel, where starlets and sailors once rubbed shoulders with grifters--and where the present clientele includes a brand-new corpse.

The Drowning Pool by Ross MacDonald

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Most writers who work in a specific genre such as science fiction or detective stories write with a comfortable narrowness, their ambitions constricted by well-worn conventions; a rare few attain something much deeper, as the scope of their explorations and the originality of their prose operate in a kind of tension with the genre's confines. Ross Macdonald is one such writer. In a series of 25 novels written between 1944 and 1976, all but five featuring Lew Archer as protagonist, Macdonald picked up the baton dropped by Raymond Chandler and Dashiell Hammett and took the genre to new heights.
The Drowning Pool, first published in 1950, is the second Lew Archer novel. It opens in classic hard-boiled fashion, with a well-dressed woman hesitantly engaging Archer's services at his L.A. office. Soon he's digging up secrets in her oil-rich hometown, and the themes that preoccupied Macdonald throughout his career begin to emerge: tormented families, buried secrets that fester through multiple generations, environmental destruction, concealed paternity, and the brutal contrast between rich and poor. Macdonald's later novels--including The Galton Case (1959), The Chill (1964), and The Underground Man (1971)--showed increased maturity and a tone less tied to tradition, but The Drowning Pool returns to the virtues that are the hallmarks of Mcdonald's work: complex and compelling plotting, psychological depth, just enough mayhem, and highly economical prose that routinely rises to something near poetry.

Black Money by Ross MacDonald

When Archer is hired to get the goods on the suspiciously suave Frenchman who's run off with his client's girlfriend. it looks like a simple case of alienated affections. But things look different when Martel turns out to be connected to a seven-year-old suicide and a mountain of gambling debts. Black Money is Ross Macdonald at his finest, baring the skull beneath the suntanned skin of Southern California's high society.
If any writer can be said to have inherited the mantle of Dashiell Hammett and Raymond Chandler, it was Ross Macdonald, Between the late 1940s and his death in 1983, he gave the American crime novel a psychological depth and moral complexity that his predecessors had only hinted at. And in the character of Lew Archer, Macdonald redefined the private eye as a roving conscience who walks the treacherous frontier between criminal guilt and human sin.

The Moving Target by Ross MacDonald

Like many Southern California millionaires, Ralph Sampson keeps odd company. There's the sun-worshipping holy man whom Sampson once gave his very own mountain; the fading actress with sidelines in astrology and S&M. Now one of Sampson's friends may have arranged his kidnapping.
As Lew Archer follows the clues from the canyon sanctuaries of the megarich to jazz joints where you get beaten up between sets, The Moving Target blends sex, greed, and family hatred into an explosively readable crime novel.

The Goodbye Look by Ross MacDonald

This 1969 Lew Archer outing finds the PI investigating a burglary of a house belonging to a wealthy family. As Archer does his job, however, it seems that the robbery is the least of these people's troubles.

Find a Victim by Ross MacDonald

Though it doesn't have much of a title, this Lew Archer whodunit finds the gumshoe stopping over in a small town for an inquest. The seemingly quiet community reveals itself to be a hive of incest, corruption, dope dealing, and stolen booze. All in a day's work for a hard-boiled private investigator. This 1954 volume is for all mystery collections.

The Chill by Ross MacDonald

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"The surprise with which a detective novel concludes should set up tragic vibrations which run backward through the entire structure," wrote Ross Macdonald in his 1981 Self-Portrait. Nowhere in his work does he better demonstrate this principle than in The Chill, first published in 1964. The plot is one of Macdonald's most masterfully constructed. Private detective Lew Archer is engaged to trace a missing spouse, who has vanished--apparently of her own free will--only a day into her honeymoon. Archer begins pulling at the threads of the case, and by page 25 they're already starting to reveal a deeper, darker story involving two murders 20 years apart. As usual, Macdonald's economical prose propels the reader forward from one action-packed scene to another, while the scenes in turn pile up to paint a rich, complex picture of buried memories, anguished relations between parents and children, the arrogance of the rich, and the search for identity. Then, at the end, one of the author's best surprise reversals changes the picture's colors entirely. Even if you're one of those discerning readers who find Macdonald's lesser work superior to most other mystery writing (as does this reviewer), The Chill stands out among his books.

The Underground Man by Ross MacDonald

As a mysterious fire rages through an affluent community in Southern California, Lew Archer tracks a missing--and possibly kidnapped--child and uncovers and entire secret history of wayward parents, wounded offspring, and murder. Along with its merciless suspense, The Underground Man possesses a moral vision as complex as that of a classic Greek tragedy.

The Wycherly Woman by Ross MacDonald

Phoebe Wycherly was missing two months before her wealthy father hired Archer to find her. That was plenty of time for a young girl who wanted to disappear to do so thoroughly--or for someone to make her disappear. Before he can find the Wycherly girl, Archer has to deal with the Wycherly woman, Phoebe's mother, an eerily unmaternal blonde who keeps too many residences, has too many secrets, and leaves too many corpses in her wake.

OxfordBooks.com / Oxford, MS

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