Generally considered a charter member of the minimalist
composers circle, Adams (b. 1947) has long seemed out of place
with Philip Glass, Steve Reich, and Terry Riley. His operas, while
based on newsworthy contemporary events rather than age-old fables,
are certainly American--and tightly focused--in character, but
his chamber and concerto works are big in both design and sound.
Here
are his essential recordings.
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